Ensemble Échappée
*Sweet Dissonance* **Ensemble Échappée**'s programme zooms in dissonance, something we experience in life as well as music. Framing the programme are Webern’s fleeting *Bagatelles*, which were described by his teacher Arnold Schoenberg as “a novel in a s
Ensemble Échappée
*Sweet Dissonance* **Ensemble Échappée**'s programme zooms in dissonance, something we experience in life as well as music. Framing the programme are Webern’s fleeting *Bagatelles*, which were described by his teacher Arnold Schoenberg as “a novel in a s
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Sun 14 Jun
6:30 pm - 8:30 pm
Conway Hall
25 Red Lion Square Holborn, London WC1R 4RL UK
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*Sweet Dissonance* **Ensemble Échappée**'s programme zooms in dissonance, something we experience in life as well as music. Framing the programme are Webern’s fleeting *Bagatelles*, which were described by his teacher Arnold Schoenberg as “a novel in a single gesture, joy in a single breath”. Heard in this context, the sunny melodies of Mozart’s famed *Dissonance* Quartet—so named for a single shocking note—reveal deeper layers of poignancy. The programme reaches peak indulgence in the fin-de-siècle romanticism of Fritz Kreisler’s rarely heard *String Quartet* (1919). Mozart, Kreisler, and Webern all use dissonance to communicate complex human feelings—but perhaps opening our ears to dissonance in music can even reveal insights into how we understand friction in our everyday human interactions, conversations, and relationships. **Mozart** | Quartet in C 'Dissonance' K465 **Webern** | Six Bagatelles Op.9 **Kreisler** | Quartet in A minor Jenna Sherry • *violin* Sophia Prodanova • *violin* Elisabeth Smalt • *viola* Lucile Perrin • *cello*